Welcome to the archive
You somehow found your way here, which says considerably more about your browsing habits than it does about my SEO. Noted, and filed.
Come in.
Picture a municipal records office built for a future that never showed up. Fluorescent hum. Catalogue drawers. A laminated sign explaining the filing system to visitors who never arrive. Somewhere in the back, a barcode scanner that has not been touched since the building was commissioned.
Now picture somebody renting the place out and moving their entire personality into it.
That is roughly what this is.
The staff is one person
There is no institution behind this. No editorial board, no team, no content strategy, no quarterly plan. Shelf MT-A is one shelf, in one apartment, at 46.3N 18.5E, and the entire operations department is a man who thought “what if my website had a barcode” and then could not be talked out of it.
Calling it a blog feels wrong, though, and not for pretentious reasons. A blog is a stream. Things wash past, the newest thing wins, and everything older quietly sinks. An archive is the opposite promise: the thing has a number, it has a place on a shelf, and it will still be there when you come back for it.
I should also be clear that nobody here is an authority on anything. I am an ordinary person with an ordinary amount of expertise and an unreasonable amount of enthusiasm. The elaborate filing system is not evidence of credentials. It is evidence of a hobby that got out of hand.
The future they were sure about
I would love to tell you there is an origin story behind the way this place looks. A formative machine, a childhood terminal, some piece of hardware I am still working through in adulthood. There is not. I saw this kind of thing somewhere, something clicked, and that was more or less that.
But the feeling it gives me is specific, and I think it is worth describing.
Look at an old vision of the future for long enough and something odd happens. It is not nostalgia, because you are not really looking at the past. You are looking at somebody in the past being absolutely certain about a future that then failed to arrive. The halftone dot screens. The warning orange. Status readouts on machines that had nothing urgent to report. Serial numbers stamped on objects that did not need serial numbers. The total conviction that everything ahead of us would be measured, labelled, catalogued and slightly overengineered.
They were wrong. They were wrong in a way that is far more interesting than being right, and the gap between the future they drew and the one that actually turned up is the exact spot where this building stands.
Nobody plays on an empty lot
There is a practical reason too.
A blank white page with a nice serif font is a perfectly good place to publish writing. It is a terrible place to play. There is nothing to climb on. Every idea you put on it comes out looking like the same thing, because the page has already decided what it is before you start.
So I built somewhere with equipment on it. Catalogue numbers. Status readouts. Barcodes. A shelf code. An event log at the bottom of the page that quietly records what changed and when. None of it is necessary. All of it is load-bearing, because it changes what I am willing to make.
Put a thought into a default blog template and it comes out looking like a blog post: disposable, chronological, faintly obligated. Put the same thought into a catalogue entry with a number, a barcode and a status field, and something shifts. You start asking whether it is actually worth filing.
That is the whole trick. I am aware that it is a trick. It works anyway.
This is a playground for my imagination and whatever artistic instincts I have, dressed up as a building that takes itself extremely seriously. The contrast is most of the fun.
What comes off the shelves
Everything that would not survive anywhere else.
Lore. The part I am most excited about. Stories, comics, magazine spreads, technical documentation, delivered in formats you have probably not seen a personal site attempt. Some of it will be written from inside a fictional world, or from the point of view of somebody who lives there. When it is fiction, it will be obvious that it is fiction. The point is the presentation, not fooling anybody.
Project files. Not the polished announcement version. The part where I explain what I am building, why I picked the stupid approach over the sensible one, and the exact moment it started smoking.
Thinking out loud. Philosophy, tangents, the occasional argument with myself about how systems fail. These will make the least immediate sense and probably matter the most.
Life, in small doses. A song I cannot stop playing while working on something. A thing that happened. Whatever else earns a place on the shelf.
And when I write about something technical, I am going to explain it like you are intelligent and busy, not like you already know. Nobody has ever learned anything from a paragraph whose real purpose was proving the author knows more than the reader.
Here is one of the formats, pulled from a drawer that does not exist yet.
- milk
- AA batteries, the kind that are never in the drawer when you need them
- coffee
- something for dinner, decide later
- ask about the thing
That is the wrong note. The format is correct.
The costume is a permission slip, the writing is not
The catalogue numbers, the status labels, the barcodes: that is set dressing, and I enjoy it enormously.
What goes inside the frame is real, unless it is clearly labelled as a story. The projects are real, the failures are real, and when I have no idea what I am doing I intend to write down that I have no idea what I am doing.
The barcode is genuine Code 39, incidentally. The bars decode back to the actual entry signature, because building a fake barcode would have been the one dishonest thing in a building made entirely of props.
- MT
- shelf prefix, the same on every record
- 001
- entry number, typed in by hand
- 42FE
- first four characters of the title's MD5 hash
The confidence, on the other hand, is not always earned.
Volume 01 begins on an empty shelf
That is the honest state of things. The filing system is elaborate. The archive itself currently holds almost nothing, which is the correct way round, I think. Better to build the room properly and then fill it, than to pile things up for a year and call it a collection afterwards.
So: the drawers are open, the lights are humming, the scanner works.
Welcome to the archive. Take a look around.